
The controversy over the last couple of days of Hedge rages on over at comics.com. A lot of cranky readers are offended that I might not agree with their world view. Or more specifically, that I dare inject my world view into their favorite comic strip — as though who I am is somehow incidental to what Hedge is.
It’s been my long held belief, born of years of experience, that the more personal a work of art (even bottom of the entertainment food chain comic strip art), the better it is. I once wrote a comic strip called, “When I Was Short.” It started strong, yet eventually failed, I believe, because it wasn’t really, “When I Was Short.” It was, “When A-Generic-Child-Who-We-Hoped-Would-Have-Mass-Appeal-Grew-Up-in-the-Sixties Was Short.” Big mistake. Generic is bland. Personal is specific and well… personal. I think we’re all voyeurs on some level and we enjoy entertainment more if we believe it’s authentic. Authentic does not mean biographical or literal. Authentic is a combination of personal and fictional. It’s truthfulness. Not truth.
Look, if you want to read antiseptic, bland, boring, tired, so-tired-their-original-creator-is-dead, comic strips there are plenty out there. But if you want to read an earnest attempt to entertain an audience with a daily, honest, heart-felt, kinda dark, but in a funny way, then read Pearls Before Swine.
The rest of you are stuck with us.
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Happy Days I Fear Again
Which is better? Living in good times in which you anticipate bad times? Or living in bad times in which you anticipate good times. Or living in good times and anticipating better times? Or living in bad times and anticipating worse times?
Or anticipating at all?
Talk among yourselves.
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Filed under Comic Commentary
Tagged as anticipation, happy days, Tree That Knows Stuff, Verne